Perro Sucio Quebradamente Adormecido

socialclaustrophobia:
“ Judy Millar (New Zealand, b. 1957), And the birdgirls can fly, 2002–2016. Acrylic and oil on canvas, 195 × 285 cm.
”

socialclaustrophobia:

Judy Millar (New Zealand, b. 1957), And the birdgirls can fly, 2002–2016. Acrylic and oil on canvas, 195 × 285 cm.
via oculablog

(via wowgreat)

“the year of letting go, of understanding loss. grace. of the word ‘no’ and also being able to say ‘you are not kind’. the year of humanity/humility. when the whole world couldn’t get out of bed. everyone i’ve met this year, says the same thing ‘you are so easy to be around, how do you do that?’. the year i broke open and dug out all the rot with my own hands. the year i learnt small talk. and how to smile at strangers. the year i understood that i am my best when i reach out and ask ‘do you want to be my friend?’. the year of sugar, everywhere. softness. sweetness. honey honey. the year of being alone, and learning how much i like it. the year of hugging people i don’t know, because i want to know them. the year i made peace and love, right here.”

—   Warsan Shire (via droomboot)

(Source: youthinkimnotagoddess, via onderbewuste)

nevver:
“Word on the Street
”
lesstalkmoreillustration:
“ Unknown
”
dappledwithshadow:
“Utagawa Hiroshige
Saruwaka-chô, yoru no kei (Nächtliche Ansicht der Saruwaka Straße)
1856
”

dappledwithshadow:

Utagawa Hiroshige
Saruwaka-chô, yoru no kei (Nächtliche Ansicht der Saruwaka Straße)
1856

(Source: dappledwithshadow, via dappledwithshadow)

dappledwithshadow:
“Hasui Kawase
Pagoda of Ikegami Honmonji Temple
”

dappledwithshadow:

Hasui Kawase
Pagoda of Ikegami Honmonji Temple

(Source: dappledwithshadow)

dappledwithshadow:
“Alexandre-Louis Jacob (French, 1876-1972)
”

dappledwithshadow:

Alexandre-Louis Jacob (French, 1876-1972)

(Source: dappledwithshadow)

aseaofquotes:
“Clementine von Radics, Mouthful of Forevers
”

aseaofquotes:

Clementine von Radics, Mouthful of Forevers

(Source: aseaofquotes, via anywen)

“And then like Pandora, opening the great big box of the world and not being afraid, not even caring whether what’s inside is good or bad. Because it’s both. Everything is always both. But you have to open it to find that out.”

—   M.R. Carey, The Girl with All the Gifts (via quoted-books)

(via anywen)